So you're dealing with dangerous stuff, you're in dangerous territory. It can…you can start to forget, for example…there's a great thing in a Jack Trevor Storey book, and he's a brilliant writer, Jack Trevor Storey, he was, just before he died. There's one bit where he's talking to this woman, and she's telling him about events that have happened, and she says: “Wait a minute, did that happen, or did that happen in my story?” And she suddenly starts to look terrified, and he's a writer himself so he knows what to do: he walks up, slaps her round the face and says: “What's your name?” And she sort of, so he slaps her again and says: “What's your name?” and she gives him a name, and he says: “Right, what's just happened to you is that you have for the first time confused your real life with your fiction. Don't worry about this – this is going to happen quite a lot. It's just important that you remember that you're a real person, this is your name, that other stuff was stuff that you wrote. Keep the(via Linkmachinego)
Wednesday, August 13, 2008
Alan Moore: The Craft
Mega-interview with Alan Moore by Daniel Whiston, about the mechanics of information;why Brian Eno was right (as always); the secret lives of Alice in Wonderland, Wendy Darling and Dorothy Gale; and what you must do if you forget you're real.