“In our rush, our naïveté, it seemed clear that this work was going to change—I mean, it was made of ashes and chocolate. And collectors would later come and say, ‘This broke, can you fix it?’ ” Peres recalls. “Now, no work of Terence leaves my gallery without a release, because his materials are quite unusual. We just don’t know what will happen to a piece made out of chocolate and Terence’s come.”
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